AKTUELL:
JAUS
11851 La Grange Ave,
Los Angeles, CA 90025
The Global Climacteric
Opens Friday, May 18, 6:30pm to 9:30pm
Featuring:
Klaus Schafler
Aaron Sheppard
Marcos Lutyens
Curated by Kóan Jeff Baysa, M.D.
May 18 to June 24, 2012
It is said that he who controls the weather, controls the world.
The Global Climacteric is a group show lampooning the politics and foibles of geomanipulation. In spite of the overall satiric tone, the works in this exhibition have been manifested through a process of rigorous investigation and data accumulation. The exhibition’s script replaces nuclear threat with climate change. Ecopolitics and geoannihilation sub in for The Cold War when world leaders convened discussing solutions to correct past human mistakes while simultaneously posturing to take drastic measures to ensure a desired, albeit apocalyptic, future. The New Military Industrial Complex, for ecogeopoliticomanipulation, catalyses warfare between opposing governments as well as with nature itself by instigating unnatural earthquakes, storms, and other ecodisasters.
TextseileKunstkritik
zur Bildenden Kunst
Imaginary Soundscapes. Aspekte harmonischer Schwingung für Ilse “Chlan”
Blicke aufs Meer: Imitating the Monumental für Cynthia Schwertsik
Crushing Shadows. Joas Sebastian Nebe’s Philosophical Cartoons Humanize Magazine Issue 8, pp. 44–61.
Tunes of Trauma. Joas Sebastian Nebe’s Totem Toons Humanize Magazine Issue 9, pp. 26–35.
Gaming into Mindfulness. Interview with Joas Sebastian Nebe Humanize Magazine Issue 11, pp. 20–31
zur Literatur
Was bleibt in einer Welt der Verflüssigungen für das Ich übrig? Christian Baiers Romantiker Edition Splitter 2006.
Nach der analen Phase die Schlacht: Christian Baiers Panzerschlacht Edition Splitter 2009
zur Performance
On the Art of Bang. Tanz im Action-Abgrund? Zum aktuellen Kill-Bill-Phänomen im Performance Raum.
In:visible. Ich sehe was, was Du nicht siehst Dokumentation der choreographischen Ausstellung von Daniel Aschwanden und Simon Frearson
Wobbling. Spannungssphären. Skulptur und Tanz auf Neuerkundung. Für Karl-Heinz Stroehle
